When the wheat paste was cool we were ready to go ahead with the next part of the process. We decided to add a little of our earth pigments, a red and yellow ochre, to avoid the grey tone that you can get with clay and flour paints. We intended testing the paint out on the window recess to give us a good idea of the resultant finish and hue when dry. We argued that even if the colours were slightly different in tone to the rest, the effect could be quite pleasing. For example, in the sitting room we purposely covered the window recesses in a sand and lime mixture to create a contrast to the linen and lime. In the event the paint went on so well and tiny patches of it dried within the first few minutes, giving us such a good idea of the finish, so we pressed on and completed the whole wall.
A Foreword on the Clay Paint Ingredients
Kaolin
Kaolin was named after the high hill or 'Kao-ling' in Jiangxi Province from which the first major deposits of fine white clay were mined. Porcelain had become an important commodity in the T'ang Dynasty, (618-907) with the popularity of tea drinking but it was under the Song dynasty in the early 11th century that the town of Jingdezhen with its invaluable high hill became the centre of the Imperial porcelain manufacture. Thus Kaolin, also known as China clay, was the foundation of the fabulous Chinese porcelain industry, which for so many centuries held sway over the World's passion for fine tableware and objets d'art. These were not only made of the finest white clay but also cobalt, the latter allowing artists to experiment with a new colour. A later addition of manganese in the Ming dynasty would lead to the apogee of China's famous 'blue and white'. Jingdezhen was ideally situated near to the Poyang Lake whereby tons of dinner services could travel by lake and river to Nanking and then onwards via the Grand Canal to Peking and from there out to the Courts and stately homes of the West. Below is an example of 19th Century Staffordshire 'Willow Pattern', a ubiquitous English transfer design which was heavily influenced by the earlier century's Chinese imports.
Kaolin is also used as a beauty product being a component of many cosmetics particularly nowadays for organic make-up and toothpastes and on its own as a beauty mask.
The fine white clay has therapeutic qualities as do many of those coming under the banner of healing clays, such as Montmorillonite aka French Green Clay. It can be used externally to draw impurities from the skin and toxins from the body. The best quality sun-dried therapeutic clays are also used internally, as clay water drinks to remove, poisons, including heavy metals and radiation. Kaolin is often viewed as a more gentle detoxing clay than the bentonite clays for example. We have used therapeutic clay many times on our poultry and ourselves! See related articles below.
Kaolin is also used as a beauty product being a component of many cosmetics particularly nowadays for organic make-up and toothpastes and on its own as a beauty mask.
The fine white clay has therapeutic qualities as do many of those coming under the banner of healing clays, such as Montmorillonite aka French Green Clay. It can be used externally to draw impurities from the skin and toxins from the body. The best quality sun-dried therapeutic clays are also used internally, as clay water drinks to remove, poisons, including heavy metals and radiation. Kaolin is often viewed as a more gentle detoxing clay than the bentonite clays for example. We have used therapeutic clay many times on our poultry and ourselves! See related articles below.
Natural Earth and Mineral Pigments
There is already an extensive article on mixing and using natural earth pigments on this blog it can be found here
Wheat Paste
The link to my wheat paste article here
Ingredients
The basic measurements for the paint are as follows:4 parts water to
3 parts Kaolin to
1 part wheat paste
Pigment as required
For the kitchen's North wall which is approximately 7m² or just over 75 square feet we made up the paint in the following proportions:
1 litre or 4 cups of water
400g or 3 cups of white clay powder aka kaolin
225 ml or 1 cup of wheat paste
This was a guesstimate as our wall has a textured surface so would take more paint than a smooth surface, in actual fact I was able to easily cover the wall and go over it again in the parts I'd missed or where the texture was more pronounced. Judging by the coverage, a smooth wall would have only needed one coat and thus used less paint.
Method
Add the water to the clay and mix thoroughly, I used a wooden spoon to start the process as I thought it would be less messy. Also this is very fine clay so I didn't want to make 'dust'. Otherwise you may want to wear a mask at this stage if you have one that is suitable.
Add the wheat paste and mix again. We did try to use a drill attachment whisk at this point but the one we have is really for very large volumes, so it was rather messy!
Add the pigment to a little water and mix the whole lot together again. This time we used a normal electric hand whisk, which worked really well.
If you don't use the paint for a few days it starts to smell 'funny' aka old-style metal polish mixed with stagnant water! However, that doesn't prevent you from using it, as it looks fine, dries well and with no odour. It's just better to use it as you make it!
As the paint was meant to leave just a fine layer over the original
surface and so that it would retain its 'crunchy' aspect we made our
paint quite thin. If you want a thicker paint then add less water and if
you want texture then add fine sand. (We will be sharing the making of claypaint made with sand in a future article.)
Preparation & Application
We started by brushing and then washing down the walls to remove any grime which might impede the application and adhesion of the paint. Most of the discolouration is from cooking and soot from numerous chimney sweepings. As it has been over 15 years since we applied this layer of hemp and lime, I think it has been a great success as an easy-care wall-covering! This apart, of course from being excellent insulation for a stone wall.
We worked the paint into the surface of the hemp and lime using a circular motion in the more textured parts of the wall.
After two hours and on a rather dull and cool day for July, the paint looked like this.
Here's the film:
Cheers Andy
RELATED ARTICLES
Home-made Ecological Paint for Interior Walls Part 1 Making Wheat Paste
Ecological paint, like a good organic food recipe is made up of just the basic necessary ingredients, it is simple ...read more
Using Natural Earth and Mineral Pigments in the Home and Garden
The Alchemy of Artists' Materials - whether painting a leaf motif or a
window frame, it's so much more fun than opening a tin of paint...read more
Mixing and Using Lime Mortar
I’ve used lime mortar a lot in our present house firstly because it is
obviously appropriate to a 300 year building, as it is sympathetic to
the original build of stone
laid on a bed of clay mortar...read more
Using therapeutic clay & essential oils on a serious cockerel-inflicted wound
Every year we look after our neighbours' animals and birds when they go
on holiday. As most of these are not used to being handled...read more
Using therapeutic clay on a deep infected wound
Montmorillonite or (French Green) clay is one of the most amazing
natural minerals and around the World there are similar
therapeutic-grade clays for you to use, wherever you may live...read more
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